Thursday, May 08, 2008

Phoenix Rising's Harvest Celebration : Call for Choral Scores

Phoenix Rising vocal ensemble, in conjunction with ChoirWorks.com, announces a call for choral scores appropriate for a Harvest Celebration concert planned for October/November 2008. Awards include performance, a live recording of the concert and possible publication on ChoirWorks.com

Deadline (postmark date) : July 18th, 2008

Entry fee : None

  1. Entries should be appropriate to the Harvest Celebration theme. Some possible topics include:
    • Agricultural Harvest
    • Spiritual Harvest
    • Fall/Autumn
    • Halloween/Death/Macabre
    • Thanksgiving
  2. Entries may . . .
    • be the completely original work of the composer/poet.
    • be based on previously existing public domain material. However, proof of public domain status for derivative works must be included with the entry.
  3. Entries may use any of the following voicings:
    • SATB acappella (divisi up to SSAATB)
    • SSA acappella (divisi up to SSSAA)
  4. Entries should be no longer than 5 minutes in length.
  5. Scores should be neat and legible with proper phrasing and dynamic markings noted.
  6. Recordings are extremely helpful.
  7. Composers may submit up to 3 entries (all 3 entries may be included in the same envelope or email).
  8. Please note for each score if you would like it to be considered for publication on ChoirWorks.com or not. Composers published on ChoirWorks.com retain the copyright to their work and receive fifty percent of all net sales from their works (as compared to ten percent in traditional publishing deals).
  9. By submitting an entry, composers give Phoenix Rising permission to make sufficient copies of the submitted work/s to facilitate performance.

To send entries electronically, please send score (PDF or Finale) and MP3s to: admin@vocalworks.org

To send entries by post, please send all materials to:

Phoenix Rising Harvest Celebration Call for Scores
c/o Vocal Works
856 N 350 W
American Fork, UT 84003

MANTIS Festival 2008 - 2nd International Call for Electroacoustic Music Compositions

Friday 31 October to Sunday 2 November 2008

NOVARS Research Centre for Electroacoustic Composition, Performance and Sound Art, University of Manchester, UK

Submission Deadline: Monday 30, June 2008 [postmark]

MANTIS (Manchester Theatre in Sound) is seeking electroacoustic works for performance in a single concert that is part of the larger MANTIS festival [Friday 31 October to Sunday 2 November 2008] at the University of Manchester's Cosmo Rodewald Concert Hall.

For this particular concert we are calling for fixed media music and mixed instrumental and electroacoustic works, with a maximum duration of 10 minutes.

Live and interactive works for a broad range of solo instruments (including voice) or small ensembles with electroacoustic elements, or electronics alone, will be considered. Full and detailed technical requirements must be included for these works (see below). Student performers will be sought from The University of Manchester's new music ensemble: Vaganza.

Fixed media works may be stereo or multi-channel.

Only one work per composer will be considered. Work must have been composed after 2003.

The MANTIS sound diffusion system consists of 40+ Genelec loudspeakers and a purpose-built computer-based matrix and control surface at the Cosmo Rodewald Concert Hall, Martin Harris Centre for Music and Drama.

Submission Guidelines

All submissions must consist of the following:

  1. Audio (or DATA ) CD/DVD of the work to be considered (all audio files should be interleaved).
  2. Programme notes (please include duration and year of creation)
  3. Composer biography (updated)
  4. Contact information: email and telephone.
  5. Technical specifications (including number of channels, sample rate, bit-depth, multi-channel loudspeaker mappings, and other technical requirements as necessary)
  6. All live and interactive submissions must additionally include the following data:
    • Instrumental forces
    • Number of microphones required (and kind)
    • Number of channels output for diffusion system
    • Hardware required
    • Software and computer system requirement
    • Stage plan
    • Fold back requirement

All requested information must be provided in order for the work to be considered.

DEADLINE: Only submissions received by (or postmarked) Monday 30, June 2008 will be considered for MANTIS 2008. Selected composers will be notified by 31st of July at the latest.

Works will be selected by a programming committee comprised of postgraduate students and staff at the NOVARS Research Centre.

Send hard-copy materials to:

MANTIS FESTIVAL 2008
Novars Research Centre
Music - Martin Harris Centre
The University of Manchester
Coupland Street, Manchester
M13 9PL UNITED KINGDOM

http://www.novars.manchester.ac.uk/

David Berezan - Mantis Festival Director
email: david.berezan@manchester.ac.uk

Ricardo Climent - MANTIS Festival coordinator
email: ricardo.climent@manchester.ac.uk

COMPOSITION COMPETITION FOR MIXED MEDIA WORKS OF ELECTRO-ACOUSTIC MUSIC AND VIDEO

Announcing a new, international competition for electro-acoustic music and video

The Leonor Hirsch Award celebrates leading edge musical creations that explore the new possibilities opened by the convergence of digital technologies. It invites the submission of mixed media works of electro-acoustic music with a visual component in video.

The Award will be a single, non-divisible award of US$10,000. The Award winner will be selected from three Finalists, whose works will all be performed at a closing concert. The costs of transportation to the city of Buenos Aires will be covered for Finalists to attend the awards ceremony and concert.

The deadline for submissions is July 1, 2008. There is no submission fee.

The prestigious members of the Jury of the Leonor Hirsch Award are Gerald Bennett, Francisco Kropfl, and Nina Colosi.

For more information and a complete list of submission requirements, please see: http://www.fundacionbyb.org/ingles/

For questions, feel free to contact:
Cintra Scott
Project Manager
Leonor Hirsch Award
Fundación Bunge y Born
Tel. +1 917 438 6972
Mob. +54 911 6532 2949
http://www.fundacionbyb.org/ingles/

Call for scores – Music for saxophone/wind controller and computer/electronics

Deadline: September 15, 2008 (postmark)

Application Fee: None

Project description: During Spring 2009, composer/saxophonist Eric Honour will tour and record a program of new music for saxophone and computer. The recording is planned for commercial release as a hybrid DVD/DVD-A. Interested composers are invited to submit works for consideration. For more details, please see the full call for scores at http://www.erichonour.com/CallforScores2008.html

Eligibility: Composers of all ages and nationalities may submit music for consideration. I would prefer to receive no more than two submissions from each composer. Each piece should be no longer than 12 minutes. Selected composers must agree to the rules for participation (see the full call for scores online). Before sending any materials, please complete the online submission form.

Instrumentation: Alto saxophone/baritone saxophone/wind controller and computer/electronics. Works involving surround/multi-channel audio and/or incorporating video are welcome.

Eric Honour
Associate Professor of Music
University of Central Missouri
eric@erichonour.com

Sound:Space - Call for Submissions, South Hill Park

South East Closes Tue 27 May 2008

Artform: visual arts, Other, sound

Contact Martin Franklin martin@digitalmediacentre.org

An exciting opportunity has risen to exhibit at South Hill Park as part of the Sound:Space season on 20 September – 9 November 2008. We invite proposals from artists exploring the field of sound art and the representation of sound. We welcome proposals for both moving image/sound and wall-based work.

The Atrium is one of our busiest exhibition spaces and is used by a wide range of South Hill Park visitors. The space also combines a café and a lounge area and we are particularly interested in site-specific works for the space.

The Sound:Space season also includes the "Kinetic Drawings" exhibition by Max Eastley and the international Sound:Space symposium on 1 November 2008. For further information, please visit: www.southhillpark.org.uk and www.sound-space.info

There is no fee payable to artists but we provide marketing and technical support. Please indicate your technical requirements in your proposal.

The deadline for the proposals is Tuesday 27 May 2008.

Please send submissions for:

Projections

Download the application form from www.sound-space.info and send along with a CD/DVD of your entry to:

Martin Franklin
Digital Media Manager
South Hill Park
Ringmead
Bracknell RG12 7PA
Email: martin@digitalmediacentre.org

Call for Diffused work

13th June to 15 June

Call for fixed media, performance and improvisation work to be diffused across 36 discrete loud speakers and explore the particular physicality of the location (St Paul's Hall).

Works are required for a variety of performance, improvisation and installations settings: floorplan and speaker placement maps are on the website (see below). While traditional tapes works are welcome, laptop performance, live diffusion, installation and instrumental works with electronics in particular are sought.

For more see online @ www.inclusiveimprov.co.uk/wofs

Where: St Paul's Hall, University of Huddersfield, UK

When: June 13th - June 15th

Cost? All Events Free -in fact this is all being done on favors

To submit work for consideration please email calls@inclusiveimprov.co.uk by May 19th with appropriate links. And if you have a really crazy idea for this opportunity email us with your thoughts.

HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL Opportunities

Description

HCMF Shorts

Opportunities for Emerging Performers at the UK’s leading Festival of new music

About HCMF

HCMF is an annual 10 day international Festival of new music, consisting of approximately 50 events, including concerts, music-theatre, dance, multimedia, film and jazz hosted in a variety of venues in and around Huddersfield. Now in its 31st year, HCMF attracts an annual audience of over 10,000 people from around the globe, and boasts consistent success and world-wide recognition.

HCMF Shorts

HCMF Shorts is a series of short informal performances which this year will take place all day on Monday 24 November 2008. They provide up-and-coming musicians with a valuable platform to perform for members of the public, media and key music industry representatives at the UK’s leading new music Festival.

This year the HCMF Shorts series will be accompanied by an Industry Marketplace where emerging artists will be able to meet promoters, record labels and publishers and find out about opportunities available to them.

Proposals are welcomed from all types of performers, and works can be especially composed or existing pieces. There are no age limits.

Closes Monday 02 June 2008

For more information and an application form contact HCMF by calling +44 (0) 1484 425082 or e-mailing heidi.johnson@hcmf.co.uk.

Wednesday, May 07, 2008

Two LGBT Men's Chorus Opportunities

The American Composers Forum is partnering with GALA Choruses Inc. (an international organization serving the GLBT choral movement) to launch a pilot Community Partners program. This program provides grants of $5,000 to two GALA-member choruses to commission a composer to write a piece for each of them.

The choruses selected to participate in this project are the Boston Gay Men’s Chorus (Boston, MA) and Una Voce: The Florida Men’s Chorale (St. Petersburg, FL). These choruses were chosen on the potential of the project each proposed to broaden their artistic vision and expand their audiences by engaging new voices and exploring new outreach initiatives.

The Choruses and Commission Details

The Boston Gay Men’s Chorus is one of New England’s largest and most successful community-based choruses. Now it its 26th season, the 175-voice ensemble is celebrated for its outstanding musicianship, creative programming, and groundbreaking community outreach. One example of that is BGMC’s history of working with high school choirs and performing benefit concerts to support the network of Gay Straight Alliances that exist in high schools throughout Massachusetts. The piece BGMC will commission will be written specifically for performances in these concerts. It will be a work of moderate difficulty, 8-to-10 minutes in length, scored for TTBB chorus with piano accompaniment and will include a flexible “second chorus” section accessible to student singers that can be efficiently combined with BGMC in minimal rehearsal time. The text will be mutually agreed upon by BGMC and the composer, and is expected to reflect positively on themes of inclusivity and diversity.

Since its debut in December 2002, audiences have heard Una Voce perform in Tampa and St. Petersburg, FL, Fort Worth, TX, Montreal, Canada, and at Carnegie Hall in New York City. Future performances include a tour to Paris, France in 2010, as well as their annual concert season in the Tampa Bay, FL area. Una Voce’s Community Partners project will be to commission a composer to write a piece combining their TTBB ensemble and the Symphonic Chorus of the Pinellas County Center for the Arts (an arts magnet high school in St. Petersburg) for a 2010 concert to benefit The Hospice of the Florida Suncoast. They envision a work of moderate difficulty, 8-to-10 minutes in length, scored for SATB chorus with piano accompaniment. The composer will also be asked to supply a TTBB version of the work that Una Voce can perform by themselves. The text will be mutually agreed upon by Una Voce and the composer, and is expected to convey an uplifting, positive message of hope and humanity.

The deadline for composers to apply for either (or both) of these commissions is May 30, 2008 (postmark).

For program guidelines and application materials, please visit www.composersforum.org/cp-gala.

For more information about this program contact: Craig Carnahan ccarnahan@composersforum.org
(p) 651.251.2833
(f) 651.291.7978
 
332 Minnesota Street
Suite E-145
St. Paul, MN 55101
USA

Eugene Contemporary Chamber Ensemble (ECCE) Call for Scores

Application Deadline: ongoing
Seeks scores for new pieces for chamber ensemble. Instrumentation includes all standard orchestral string, wind, keyboard, and percussion instruments. Possible performance during their concert season plus recording.
Details
The Eugene Contemporary Chamber Ensemble announces an ongoing call for scores for new pieces for chamber ensemble. Instrumentation includes all standard orchestral string, wind, keyboard, and percussion instruments. Works involving new media (film, live electronics, tape, etc...) will also be considered. Preference is for mid to large ensemble (6+ players).
There is no fee for consideration and submissions are reviewed on a continuous basis.
Selected pieces will be performed and recorded on one of the ensemble's 5–6 concerts per season.
Please address submissions to:
Scott J. Ordway
Director, Eugene Contemporary Chamber Ensemble
337 1/2 E 13th Ave
Eugene, OR 97401
Website:
For inquiries, please send an e-mail to:

Wednesday, March 26, 2008

6th Annual Festival of Contemporary Music

Call for Scores

6th Annual Festival of Contemporary Music

New Music Forum is proud to announce the call for scores for the 6th Annual Festival of Contemporary Music. This year the two-concert event will take place on Friday and Saturday, August 15 & 16, 2008 at the Community Music Center in San Francisco. Composers are invited to submit up to two (2) works for consideration in any of the following categories:

  1. Solo: vocal or instrumental
  2. Chamber ensemble: up to eight (8) performers
  3. Two-channel works for digital audio media (on CD)

Submission packets should include:

  1. 2 copies of the score (do not send parts now)
  2. 2 copes of a recording of the piece, if available, on audio CD or cassette
  3. 1 copy of the completed registration form. (Downloadable from newmusicforum.com)

Your piece(s) will not be considered without the registration form.

Composers must provide performers for the selected works. The FCM artistic staff can provide names and contact information of performers; however, it will be the composer’s responsibility to make all necessary arrangements for performance and compensation. Upon selection, composers will be asked to provide a brief biography, performance notes of the piece and parts, if necessary. Submitted works and materials will not be returned.

Attendance at the festival is required. If you are unable to be present at either of the two programming dates, please do not submit an entry.

Selected participants will be required to submit a registration fee of $20. Do not send the fee now.

Deadline: May 1, 2008, postmark

Composers of the selected works will be notified around June 15, 2008, via email.

For more information:

Brian Bice, co-artistic director email: brian@newmusicforum.com

C. Michael Reese, co-artistic director email: ecomposer@runbox.com

John Bilotta, co-artistic director email: jgbilotta@comcast.net

Website: http://www.newmusicforum.com

Send scores to:
Festival of Contemporary Music
c/o New Music Forum
P.O. Box 20936
Castro Valley, CA 94546

Thursday, February 21, 2008

Call for Works for the 60x60 project

Continuing to promote contemporary composer and their works, Vox Novus is inviting composers to submit recorded works 60 seconds or less in length to included in its sixth annual 60x60 project. 60 compositions will be selected to be played continuously in a one-hour concert. The 60x60 concert season will begin with a debut in New York City and continue throughout the world in venues to be announced. Please submit recording(s) of work and submission form post marked before March 31st, 2008 to:

60x60
c/o Robert Voisey
Radio City Station
P.O. Box 1607
New York, New York
10101 USA

More information can be found at: http://www.voxnovus.com/60x60/Call.htm http://www.voxnovus.com/60x60.htm

The call is open to composers of any nationality, age, or career stage. Works submitted must not have been previously performed or broadcasted.

Thursday, January 31, 2008

Wet Sounds 2008 - Open Call

Setting

Speakers will be placed underwater and the audience will float around ears submerged immersed in sound. Sound travels 4 times faster in water and is heard omniponically. Although we will have 2 channels playing back, the stereo effect is lost and is perceived as a dynamic variation and not as directionality.

The listeners are immersed in sound and perceive sound through their bones as well as through the ears. The sound is heard more intimately.

Criteria

The Call for Proposals will be mainly looking for sounds which depict undersea life/ human interaction with water/ sounds which immerse the listener / abstract electronica/ electro-acoustic sounds.

Duration

Audio work is to be of any duration over 5 minutes and under 20 minutes

Deadline

5pm 12st May 2008 [postmarked]
Successful applicants will be notified by 1st June 2008

Post a hardcopy of the filled application form and an audio CD to:
 
Wet Sounds
211 Dalston Lane
London E8 1HL
United Kingdom

Or Email the filled application form with a link to your audio files [.wav/.aif 44.1khz 16bit at least] to: wetsounds@newtoy.org

If your work is chosen:

  • The chosen work will be collected and played at future tours of Wet Sounds; by submitting work you are permitting Newtoy Ltd. to use your work for playback at any Wet Sounds performances.
  • A booklet will be produced and distributed at venues displaying info on all participating artists. The same info will be displayed on the website as well.
  • You will get two tickets to one of the dates in the tour.
  • You will receive a two for one dive introduction voucher with PADI diving school.

Tuesday, January 22, 2008

choral composition, POLYPHONOS

The Esoterics announces an international call for a cappella choral scores, as this Pacific Northwest ensemble announces its annual competition for choral composition, POLYPHONOS, from the Greek πολυφωνος, having many voices or manifold in expression.

The Esoterics is dedicated to performing and perpetuating contemporary a cappella choral settings of poetry, philosophy, and spiritual writings from around the world. The purpose of The Esoterics’ POLYPHONOS is to encourage today’s choral composers to broaden the scope of the a cappella choral repertory by setting sacred and poetical texts found beyond the Western classical canon in order to create a repertoire of choral concert music that reflects the universal beauty and power of unaccompanied voices joined in song.

2008-2009 Competition:

Each winning composer will receive a commission from The Esoterics to plan and compose a new choral work that will be premiered by the ensemble in 2009. In addition to this commission, each of the winning composers will receive $1000 US plus airfare and accommodations to attend the Seattle premiere of their commissioned work. There will be up to three POLYPHONOS awards:

  • International composer’s 2009 commission (for choral composers who are not US citizens)
  • National composer’s 2009 commission (for choral composers who are US citizens)
  • Young composer’s 2009 commission (for choral composers under age 30 as of 31 December 2008)

All applications must be complete and received by 15 May 2008. The winners of The Esoterics’ POLYPHONOS will be announced on 1 July 2008.

Fee: $25

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Call for Scores for solo piano pieces

Seattle Pianist Collective

Call for Scores for solo piano pieces

Submission receipt deadline: April 1, 2008 Results announced April 15, 2008

 

The Seattle Pianist Collective is accepting submissions for new works for solo piano. Compositions should be between 3 and 9 minutes in duration, and have some correlation to the program’s theme of synesthesia and the interpretation of color in music. Submissions may be in a variety of styles from classical to avant to jazz.

 

An honorarium of $500 will be divided between winning submissions. Submission deadline is April 1st, 2008. Notification of selection will be given on or before April 15th. Selected compositions will be performed at a June 1st, 2008 concert at the Seattle Art Museum.

 

The program currently includes works by: Olivier Messiaen, Alexander Scriabin, Duke Ellington, Richard D. James (a.k.a. Aphex Twin) and others.

 

The Seattle Pianist Collective is: Dawn Clement, Oksana Ezhokina, Julie Ives, Peter Stevens and Kelly Wyse. The Collective is committed to the presentation of engaging and open programs of new and used music for piano. We love you.

 

Please send submissions to:

The Seattle Pianist Collective
c/o Kelly Wyse
P.O. Box 2175
Vashon Island, WA 98070
USA

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Call for works Festival Futura 2008

For year 2008, the Futura festival is in search of sound works on support of a minimum length of 20 minutes: indeed Futura wishes to cause the creation of medium-length and full-length acousmatic forms and thus to support the forms ambitious, rich, taking the time of their développement. We would like to propose an alternative to the present tendency that is to push the composers to make short musics.

The festival will take place in August, 2008 in Crest (Drôme, France) and The submission : - Only sonic works on tape medium should be submitted (acousmatic, concret, radiophonic art...). Please do not send proposals for live electronics or performances. - Preference is given to stereophonic musics. - Works with a video projection are also encouraged. - Deadline for reception of works on CD Audio only or DVD (for videos) before february 25, 2008 (post-marked ) to the following address :  Futura, 62, avenue de Flandre F-75019 Paris, France. - Fill necessarily the form put following this message and send it by email: info@festivalfutura.fr - Also send by email a program note about the submitted work (20 lines max), a short biography and a  picture (.tiff or .jpg) to info@festivalfutura.fr

------------------------------------- Formulaire Futura 2008 / Form Futura 2008     Nom/Last Name :     Prénom/First Name :     Date de naissance/Date of birth :     Nationalité/Nationality :               Adresse/Address          Téléphone/Phone number     Email/Email : Site Internet/Web site :    

Biographie (10 - 12 lignes)/Biography (10-12 lines) : Titre de la l'¦uvre/Title of work :                         Durée/Duration :                        Studio et année de composition/Studio and year of composition : Lieu et date de la création /Place and date of the creation : Notice (10 - 12 lignes)/Programme Notes (10-12 Lines) :

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2008 International Society of Bassists/David Walter Composition Competition

The 2008 International Society of Bassists/David Walter Composition Competition is dedicated to the memory of double bassist David Walter, a longtime ISB member, performing artist, composer and renowned educator. Entries must be received at the ISB office <b>by June 2, 2008</b>. There are three categories, for <b>solo bass, chamber ensemble and double bass with electronic media</b>, with a grand prize of $1,000 in each category and a world premiere performance at the 2009 ISB convention at Penn State University. For more info: http://www.isbworldoffice.com/competitions/composition.html http://isbworldoffice.com/competitions/composition/guidelines.pdf Deadline: 2 June 2008 Fee: $35

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Sunday, July 29, 2007

Sybarite Chamber Composition Contest

This contest is open to composers of all ages and nationalities. The winner of the 2007 contest will receive a $500 cash award, a performance by the Sybarite Chamber Players on their concert season, and a compact disc recording of the performance.

Instrumentation

Works submitted must be for the following quintet instrumentation: 2 Violins, Viola, cello and double Bass. Works using other instruments will not be considered. Works with tape are eligible

deadline: November 30 2007 (deadline)

fee: $25 USD

(This is rather steep. Composers are encourage to NOT enter contests where the fees pay for the award, as these are basically a lottery. I don't have any knowledge of this prize in particular.)

51st ABA/Ostwald Original Band Composition Award

The American Bandmasters Association will hold the 51st ABA/Ostwald Original Band Composition Award during the winter of 2007 with a November 9, 2007 deadline for submission.

The ABA/Ostwald Award was the first competition for compositions of band music in the United States, and is one of the most prestigious awards in that field. Since 1956 it has stimulated the creation of many important new compositions, thereby enriching the entire spectrum of concert band activity. Because of its continuity, this award has produced more concert band music than any other competition of its kind. Literally thousands of musicians have performed the works of contest winners for their appreciative audiences.

The Contest Committee composed of ABA members, reviews the rules, then screens and judges the entries annually. Entries are unidentified as to composer and are judged entirely on merit, thereby insuring complete artistic integrity.

The winning composition will be performed during the 2008 annual American Bandmasters Association Convention in Miami, Florida.

deadline: November 9, 2007

Instrumentation

Flute/s, Oboe/s, Bassoon/s, 1st-2nd-3rd Bb Clarinets, Bb Bass Clarinet, Eb Alto Saxophone/s, Bb Tenor saxophone, Eb Baritone Saxophone, Cornets/Trumpets (at least three parts), 1st-2nd-3rd-4th F Horns, Trombones (at least three parts), Euphonium/s, Tuba/s, Percussion. Score may include Piccolo, English Horn, Eb Clarinet, Eb Alto Clarinet, Eb and/or Bb Contra Bass Clarinet/s, String Bass, etc. Percussion may include Piano or any other keyboard instrument, and anything else from which a sound can be produced. The composer may specify one player per part (Wind Ensemble) or multiple players per part (Symphonic Band).

Pacific Chorale Young Composers Competition

Pacific Chorale invites America’s young composers to participate in a contest designed to encourage the proliferation of America’s choral music. The Chorale is seeking new a cappella works for mixed choral ensembles, 3-5 minutes in length.

We invite choral composers under the age of 35 to apply. All interested applicants must submit a sample of their choral writing by Friday, September 14, 2007. Only choral works will be considered. You are encouraged to explore our web site to learn more about Pacific Chorale’s performance ensembles and their artistic breadth.

Finalists will be selected and notified by Friday, October 12, 2007. Finalists will be asked to write an original work utilizing text of American poetry or an original work based upon a lesser-known American folk song (composers are responsible for securing rights to their text.) All finalist submissions will be due on Friday, January 4, 2008. Finalist submissions must be camera ready and contain a piano reduction. Up to two winners may be selected. Winner(s) will be notified by Friday, January 18, 2008.

deadline: September 14, 2007

eligibility

  • Composer must be a U.S. citizen (finalists will be required to show proof of U.S. citizenship).
  • Composers must be under the age of 35 by April 23, 2008 (finalists will be required to show proof of age).
  • Be willing to travel to Orange County, California during the week of April 21, 2008 (domestic airfare and accommodations will be provided).

fee: $25

Toru Takemitsu Composition Award

A Competition of orchestral composition will take place each year in 2007, 2008 and 2009. Younger composers all over the world are urged to submit their newly created works to their preferred year competition.

deadline: 31 August 2007 (arrival)

eligibility: Any person who was born after 1969.

fee: free

Monday, January 15, 2007

Sonict

Ongoing call for scores

The Sonict Ensemble of the University of Wisconsin at Whitewater invites composers to submit scores for consideration for performance. We can perform works for a varied instrumentation, including any combination of acoustic instruments. We especially encourage submissions for small chamber groups that include saxophone, saxophone ensemble, percussion, and percussion ensemble. We also strongly encourage submission of works that include electronics, either on CD or to be performed via Max/MSP. 2-channel tape works or works for/including video will also be programmed regularly as part the series, both as part of our regular ensemble concerts and on special electronics-only performances.

All submissions not selected for performance will remain in our music library and may be considered for future concerts.

Please send scores and recordings (if available, please no MIDI "performances") to:
Jeff Herriott
Music Department
UW-Whitewater
800 West Main Street
Whitewater, WI 53190

If you have any questions, please contact: herriotj-at-uww.edu

Classical Marimba League 2007 Composition Competition

2007 Composition Competition

 

Classical Marimba League

2007 Composition Competition

'A Renaissance of Tonality'

 

Submission deadline:  March 10th 2007

Awards include:  Sheet Music Publication,

World Première Performances & Live Recordings

 

The 2007 competition is open to five (5) Style categories with required Instrumentations:

 

                                                 Style                                                                           Instrumentation

 

                                                 Baroque                                                                      Marimba Duo

                                                 Classical                                                                      Marimba & String Quartet

                                                 Romantic                                                                    Preludes for Solo Marimba

                                                 Impressionism                                                         Marimba & Piano

                                                 Tonal Contemporary                                             Marimba & Chorus

   --------------------------------------------------------------------------------

Competition Application

2007Application.pdf

Prizes:

Each year, up to 5 winners will have their work performed and recorded live by one of the participating music conservatories.  These winners will also have their work published by C. Alan Publications. 

 

Performance:

Winning compositions will be performed live the following season at one of the participating Music Conservatories.

 

Originality:

The work must be an original unpublished composition with no prior public performances.  Composition entries that have received a public performance will not be accepted and/or will be disqualified. 

 

Deadline:

Scores and application materials must be received on or before March 10, 2007.  Results will be announced on April 10, 2007.

 

Restrictions:

Duration, difficulty, instrument range and other boundaries within the style selection are up to the composer's discretion.

 

Submit:

1) Two hard copies of the full score

2) E-mail of Sibelius or Finale sheet music file, if available, is encouraged for publication review

3) Application fee of $35 U.S. per piece made payable to Classical Marimba League

Candidate may submit up to one work per category (no more than 5 works)

 

Mailing:

Materials are to be mailed to:

 

Classical Marimba League

6956 E. Broad St., #255

Columbus, Ohio  43215

 

Additional materials are to be

e-mailed to:

Classical.Marimba@gmail.com 

The 14th International Music Competition Bucharest

The 14th International Music Competition Bucharest, 7 - 13 May 2007 will include the following disciplines: VIOLIN, COMPOSITION.

For complete information about the Composition competition please click here.


VIOLIN

General Rules

Applicants must be born in or between the years:
  • Age category A – born after 1.01.1997
  • Age category B – born between 1.01.1993 - 31.12.1996
  • Age category C – born between 1.01.1989 - 31.12.1992
  • Age category D – born between 1.01.1977 - 31.12.1988
Younger competitors may apply for a superior age category.

Conditions for entry

Registration in the competition will be made based on: application form, copy of passport, a recent photo and copy of the bank confirmation for the payment of the registration fee of 70 Euro.

The registration fee will be paid into the account RO 91 BACX 0000 0030 0145 6002 of the HVB Tiriac Bank, Izvor Branch – Bd. Libertatii, no.20, Bucharest, for Jeunesses Musicales Romania, Swift Code BACXROBU, and should be sent free of charge to the payee. The entry fee is non-refundable. Drafts are not accepted.

Registration deadline is March 1st, 2007. Confirmation of the applicants' registration in the competition will be made before April 15, 2007.

The participants will bring their own accompanist. A list of first-class accompanists will be provided to those participants who will have requested them on their application form. Their engagement will be made at the participants’ own expense.

Organizers provide lodging for the first 10 registered candidates. Accommodation begins on May 5, 2007 and is ensured for the period the participants remain in competition. For the other participants, the organizers will make hotel reservations upon request, based on special accommodation packages offer.

Upon arrival in Bucharest each competitor should report to the Competition's Secretariat and present a valid passport.

The total amount of the awards is 10.000 Euro: cash (in Romanian currency), instruments or scholarships. The prize-winners will have priority in being included in the programmes organized by Jeunesses Musicales Romania, both nationally and abroad.

All performers will receive participation diplomas. Prizes will be awarded by a Jury whose members are well known personalities of the musical world. The Jury will evaluate both the technical aspect and the expressive quality of the interpretation. If necessary, the competitors may be asked by the Jury members to perform only excerpts from some works. All the decisions of the Jury are final and non-appealable.

Each award-winner must receive his or her prize personally. The concerts will be broadcast by the Broadcasting Corporation or recorded for later transmission. A live or deferred broadcast by other Romanian or foreign Broadcasting Corporations is possible, as well as a complete or partial re-broadcast of the concerts. By applying to take part in the competition, the applicants give their implied consent for this recording as well as for its transmission under the conditions mentioned above. The prize­winners have no claim to additional fees.

For further information please don’t hesitate to contact them

MUSICA E ARTE COMPOSITION CONTEST

MUSICA E ARTE COMPOSITION CONTEST
3rd Edition

Download the Announcement and form (pdf)

ANNOUNCEMENT OF COMPETITION

Musica e Arte Cultural Association announces the “Musica e Arte Composition Contest - 3rd Edition”

Musica e Arte Composition Contest, is open to students attending European Music Conservatories and European University Music Departments and to students graduated, not before the 2004/2005 Academic Year, from the same institutions.

There is not any age or nationality limitation.

Each Composer can submit one score only to the Contest.

The application to the Contest is completely FREE.

The Contest's winner will receive Euros 1,000 (one thousand) and a copy of the "Sibelius" Software.
In case of ex-aequo the money award will be shared among the winners.

The 3rd edition of the Contest is dedicated to unpublished scores, never performed and never awarded any prize for PIANO and CHAMBER ORCHESTRA

The maximum timing is ten (10) minutes.

Instruments:
1 PIANO
2 FLUTES (also piccolo)
1 CLARINET
1 BASSOON
1 TRUMPET
PERCUSSION (small) 1 player
4 VIOLINS I
3 VIOLINS II
2 VIOLAS
1 CELLO
1 DOUBLE-BASS

In order to facilitate the organization of the Orchestra, every Composer must use all the instruments or parts indicated in the list written above.

The scores must be sent in a sealed envelope with the following documentation:

  • SIX (6) Copies on A4 size paper printed (not handwritten) in traditional notation Completely filled out application form with a copy of a valid I.D.
  • Curriculum Vitae
  • A short text explanation about the Composition
  • Documentation of proof of enrolment in an Italian or European Conservatory of music, University of music, Hochschule, any recognized music Academy for the 2006-2007 Academic Year, or in alternative a Diploma from one of these Institutions obtained not before the 2004/2005 Academic Year.

The complete documentation, in italian or english, must be sent within midnight of the 30th of January 2007 to the following address:

Associazione Culturale Musica e Arte
Via Cosimo Giustini n. 9 – 00151 Rome (Italy)

The Composers of the scores selected as finalists will be contacted by phone, fax or e-mail. Then, they must send the extracted parts and the full-score in computerized notation (supported by "Finale" or "Sibelius" software) saved on a non re-writable CD. These items must be sent to:

Associazione Culturale Musica e Arte
Via Cosimo Giustini n. 9 – 00151 Rome (Italy)

or by e-mail to:
concorso@musicaearte.it

within midnight of the 28th of February 2007.

Other scores, even if not selected as finalists, can be chosen by the Association to be performed at large if considered artistically valid.

The materials sent for the Contest won't be returned, and will remain in Association’s archive.

Since the premiere of a new composition is a moment of great responsibility, the Composers selected as finalists will be invited to the rehearsals as to work-out, with the Conductor, the best execution.

All travel expenses are responsibility of the finalists to the Contest. The rehearsals will take place in ROME, Italy.

The final concert will respect the following schedule:

Saturday, 21st of April 2007
Parco della Musica Auditorium
Goffredo Petrassi Hall
ROME

  • Execution of all the Compositions selected as finalists.
  • The Jury votes and declare the winner.
  • Re-execution of the winning Composition
  • Award ceremony: The winner will receive Euro 1,000 (one thousand) and a copy of the "Sibelius" Software. The performance will be broadcast on the Italian national radio station RCF.

The Concert will be performed by:

  • Elitza Stoyanova Harbova - Piano
  • Piccola Orchestra ‘900
  • Simone Veccia - Conductor

The Jury can also decide not to award any Composition or to award more than one. In that case the winners will be considered as ex aequo.

Any dispute will be submitted to the jurisdiction of the court of Rome.

The Jury of this 3rd Edition is composed by:

  • Giampiero Bernardini, Composer, faculty member of the Conservatory of Frosinone
  • Daniele Corsi, Composer
  • Maurizio Gabrieli, Composer, Professor of Composition of the Conservatory of Rome
  • Ada Gentile, Composer, Principal of the Conservatory of Rome
  • Ivan Vandor, Composer, Musicologist
  • Simone Veccia, Conductor

For any further information please contact Musica e Arte Cultural Association at:

Tel./Fax: +39 06 58233602 - e-mail: concorso@musicaearte.it

Musica e Arte Cultural Association
Rome, September 2006

FOURTH INTERNATIONAL JURGENSON COMPETITION FOR YOUNG COMPOSERS

FOURTH INTERNATIONAL JURGENSON COMPETITION
FOR YOUNG COMPOSERS
(Moscow, 15 February - 15 April 2007)

The Fourth International Jurgenson Competition for young composers has been organized by the Ministry of Culture of the Russian Federation, by the Centre for Contemporary Music (Moscow) and by the Jurgenson Charity Foundation. The Chairman of the jury will be Vladimir Tarnopolsky.

The competition invites submissions in the following categories:
  • Compositions for soloist ensembles or for voice and soloists (6-16 musicians in both cases)
  • String quartet
  • Compositions for marimba or for percussion ensemble (up to 6 musicians)

The duration of compositions may not exceed 15 minutes.

The instrumentation for soloist ensembles could include: 1 flute (also piccolo, also alto), 1 oboe (also English Horn), 1 clarinet (also clarinet bass), 1 bassoon, 1 horn, 1 trumpet, 1 trombone, percussions (2 musicians), 1 piano, 1 harp, 2 violin, 1 viola, 1 cello, 1 double-bass.

Instruments in scores for percussion ensemble must be grouped by performers.

The competition will have two rounds. 10 participants will be admitted to the second round after adjudication of scores. Awards will be conferred after the performance of compositions by soloists from the Studio for New Music (Moscow) and Mark Pekarsky's percussion ensemble.

The competition will only accept compositions that are unpublished, and which have not been performed publicly. The competition is not open to composers born earlier than 1 June 1977.

The application package must be postmarked no later than 1 February 2007. It should contain the following:
  • 2 copies of the score (if your score is selected for a final reading, parts must be sent by March 30). A password should be clearly written on the manuscript submitted; the applicant's name shall not appear on the manuscript.
  • A complete signed application form in English or Russian (Apllication Form).
  • 2 photos of the applicant.

Applicant may not submit compositions in more than two categories.

The application package, marked «To the organizing committee of the International Jurgenson competition for young composers», should be submitted to the following address:
Centre for Contemporary Music
Moscow Tchaikovsky Conservatory
B.Nikitskaya 13, of.316
Moscow 125009 Russia
T/f (+7 495) 290 51 81
info@ccmm.ru
http://www.ccmm.ru

The competition admits compositions, sent by February 1, 2007 (by postmark).

Awards: Grand-prix ($ 2000); I award in each categories ($ 1000)

The prizewinners' concert will take place in the framework of the Moscow Forum festival (9-14 April 2007) in Rakhmaninov hall of Moscow Tchaikovsly Conservatoire.

Compositions by the prizewinners will be published in the series «Music of the Third Millenium"».

Salvatore Martirano Memorial Composition Award

The University of Illinois School of Music presents

The 2006 Salvatore Martirano Memorial Composition Award

Eligibility:

Any composer, regardless of age or nationality.

Award:

Cash award of $1000 and a performance by the University of Illinois New Music Ensemble in the fall of 2006 at the Krannert Center for the Performing Arts. Additional awards of $500 and $250 plus performances may be given at the discretion of the judges.

Medium:

Full scores of any style or aesthetic direction for one to ten performers (including vocalists) may be submitted. Works for tape, electronics and/or mixed media with or without instruments/voices are eligible.

Duration:

20 minutes maximum

Limit:

One entry per composer

Entry fee:

A non-refundable entry fee of fifteen U.S. dollars ($15.00) in the form of a check must be included with each submission. All checks must be payable to the University of Illinois, and must either be an international money order or drawn on a U.S. bank.

Anonymous: Submission:

The composer's name must not appear on the score itself or on any item. (tape, CD, etc.) submitted as supplement to the application. A sealed envelope must accompany the score and contain the composer's name, address, telephone number/e-mail (if applicable) and a brief biographical sketch. If a recording of the work is available, it should accompany the score and be identified only by the title of the composition.

Return of Materials:

Scores will not be returned unless a self-addressed, stamped envelope of the proper size is enclosed.

A panel of judges consisting of University of Illinois music composition faculty members will select the winning composition. The winning composer is expected to attend the award concert/reception and will be responsible for their transportation costs (the competition will provide a stipend for lodging). The winning composer will assume full responsibility for providing adequate performance materials upon request.

The deadline for the next competition is February 24, 2006 (postmark deadline)

Send submissions to:
2006 Martirano Composition Award
Attn: Zack Browning, Coordinator, Martirano Award
2136 Music Building
University of Illinois
1114 West Nevada
Urbana, IL 61801 USA

Sunday, January 14, 2007

Bowling Green New Music & Art Festival

28th Annual New Music & Art Festival International Calls for Works

Call for Works

The MidAmerican Center for Contemporary Music at Bowling Green State University’s College of Musical Arts announces a call for works for inclusion on the internationally acclaimed BGSU New Music & Art Festival to be held on October 18-20, 2007. Submitted works will be also be considered for year-round performance by distinguished faculty, guest performers and student ensembles.

Application Procedures

  1. Artists and composers are invited to submit a maximum of two works (maximum length 15 minutes) that integrate audio and visual components in a compelling way. Works involving collaboration between composers and visual artists are especially encouraged. Please submit works on DVD with an aspect ratio of 16:9. NTSC video format is preferred.
  2. Entries must be postmarked by February 3, 2007, for consideration for the 28th Annual New Music & Art Festival. Works received after this deadline may be considered for future festivals.
  3. Please include piece duration, short artist biographies (if applicable) and a program note. Also include a contact name, address, phone number and email with submissions. Entries without return postage or instructions to destroy will be placed in the archives of the MidAmerican Center for Contemporary Music. All works in this unique collection are catalogued and circulated. For return of materials, enclose a self-addressed stamped envelope.
  4. For your convenience, a submission form is available in .pdf format.

Sinfonia Contemparis

CALL FOR SCORES

CALL FOR SCORES
Composers 20 years old and under are encouraged to submit scores for performance by the Sinfonia Contemparis in July 2008. Submitted works should be scored for chamber orchestra and optional soloists. Any instrument and vocalists (soprano, mezzo, countertenor, tenor, baritone, bass) are available for performance. Piano reductions are required for any work using a soloist. Reductions are encouraged for all scores, but not required. No work submitted should be premiered or published. Three works will be selected for performance. Composers from all countries accepted.
Sinfonia Contemparis was formed by a group of high school and college musicians in the Kalamazoo, Michigan area. The group's conductor is Eric Johnson. He and other members of the ensemble will select the scores. Please mail scores to ...
Eric Johnson
7060 South 10th Street
Kalamazoo, MI 49009
or email to ejohnsonmusic@yahoo.com
All scores MUST be postmarked by July 15, 2007
Winners will be contacted by August 1. Please provide sufficient contact info (email is best.)

University of York Spring Festival

Spring Festival 2007 Call for Scores

Workshop with Gemini ensemble, Saturday 5 May

Deadline for scores: 16 March 2007

Each year, as part of the Spring Festival of New Music, the Department of Music runs a competition open to students at UK music departments and conservatoires for pieces to be selected for workshop and performance by an ensemble. This year, the ensemble is Gemini and the workshop and concert will take place on Saturday 5 May.

Pieces are invited for any combination from trio upwards of clarinet/bass clarinet (one player), two violins, viola and cello – but not string quartet. The duration of the pieces should be between 5 and 10 minutes.

Please submit scores with a codename only. An accompanying envelope with the codename should enclose details of the composer (short biography and contact details).

Please submit scores to Dr John Stringer,
Department of Music, University of York, YO10 5DD
jcs7@york.ac.uk

Deadline for scores: 16 March 2007

Spring Festival 2007
2 – 5 May

Performers include the Dutch band de ereprijs, vocal trio Juice and chamber ensemble Gemini. Full programme details will be available on the York Concerts website from February: www.YorkConcerts.co.uk

Knox-Galesburg Symphony

International Call for Scores

The Knox-Galesburg Symphony seeks to promote new music, particularly works by American composers. The KGS International Call for Scores has brought works by Cooman, Cunliffe, de Kennesey, Elizondo, Finko, Gallagher, Green, Lee, Mahoney, Manson, Mortensen, Sato, Winstin, and others.

Submitted works should be of moderate technical difficulty, not more than 10 minutes in length, with instrumentation not to exceed 3222/4331/T P(2) strings.

Please send submissions to:

Bruce Polay
Campus Box K-5
Knox College
Galesburg, IL 61401-4999

Submissions to be returned must include a self-addressed stamped envelope.

Composers Conference at Wellesley College

 Call For Scores

DEADLINE FOR RECEIPT OF APPLICATION MATERIALS: March 15, 2007

The 63rd Annual Composers Conference will take place July 22-August 5, 2007 at Wellesley College, Wellesley, Massachusetts. Guest composers are Pablo Ortiz and Martin Brody. Composers are invited to submit scores for judges' selection of ten Fellows. The ten chosen Fellows will attend the Conference and will have readings and performance of a piece to include any combination of the following:

1 each: flute, oboe, clarinet, bassoon, horn, trumpet, trombone; 2 pianos, 2 percussionists, double string quartet, 1 contrabass, 1 soprano

Submissions for judging need not conform to this instrumentation. Submissions must include the following:

  1. One copy of a sheet of paper indicating name, institutional affiliation (if any), postal and email addresses, telephone and fax numbers, the name of the work(s) submitted, the performance medium, and the duration of the work.
  2. Application fee of $15.00, made by check, payable to the Composers Conference.
  3. Each score should be accompanied by a separate CD or cassette recording, if available.
  4. For return of your materials, please enclose a self-addressed, stamped (not metered postage) mailing folder.

To be considered, all application materials MUST arrive by March 15, 2007. Awards will be announced after April 15, 2007. Submit scores to:

Composers Conference

Attn: Isabelle Plaster

Department of Music

Wellesley College

106 Central St.

Wellesley, MA 02481

For questions or additional information, please contact:

Kathryn Welter, Executive Director

Composers Conference & Chamber Music Center at Wellesley College

 PO Box 5507 Wayland, MA 01778

welter@composersconference.org

Phone/Fax: (508) 276-1011

Opus 21

Call For Scores

ELIGIBILITY: Composers of art music from all genres, including contemporary classical, jazz, rock, and world music, as well as those whose compositions fall in the hard-to-define categories in between, are invited to submit works. Selected pieces will be performed on one or more of Opus 21's annual concerts taking place in New York City and Michigan.

INSTRUMENTATION: Solo and small ensemble works of any instrumental combination, vocal works, and works involving electronics are all welcome. Works submitted may be for acoustic and/or amplified instruments and voices. Works with durations of 10 minutes or less are preferable, although in some instances longer compositions may be considered.

DEADLINES: Since programming decisions for concerts are being made year-round, works may be submitted at any time. If deadlines for specific concerts are in effect, they will be posted on the Opus 21 web site.

PLEASE INCLUDE THE FOLLOWING:

  1. Score and/or recording. (CDs, cassette tapes, and MIDI realizations are all acceptable. Please indicate track numbers on CDs and cue all tapes to the piece being submitted for consideration.) Label scores and/or recordings with the following information:
    • composer's name
    • title of work
    • instrumentation
    • duration
    • track number if relevant
  2. Contact information (address, telephone number, and email address).

  3. Performance history of the work being submitted.

  4. Composer's biographical information.

RETURN OF MATERIALS: Opus 21 receives many works that we would like to program but that, for various reasons, may not be able to be included in the current season. Since some of these works may fit on future programs, we would prefer to hold on to all submissions for future consideration. Therefore, we ask that composers send copies that need not be returned. If a work must be returned, a self-addressed stamped mailer is required.

SEND TO:

Richard Adams
c/o Opus 21
145 Prospect Street
Kalamazoo, MI 49006

269-552-4899 (in Michigan)
212-995-2700 (in New York City)

New England Philharmonic

New England Philharmonic
Performing the masterpieces of our time.

Call for Scores

One of the only orchestras of its size in the country with a Composer-in-Residence program, the New England Philharmonic conducts an annual Call for Scores that receives hundreds of submissions from contemporary composers from around the world. Works are selected from these scores to be presented on one of our season's programs, often for the first time locally or nationally. By presenting these new works in the context of pieces by established composers—including classics of the symphonic repertory—the New England Philharmonic demonstrates that orchestral music is not a finished collection of museum pieces, but a living, evolving tradition. This approach has won the orchestra excellent reviews and wide recognition, including seven national awards for programming from the American Society of Composers, Authors, and Publishers (ASCAP), and one of the first grants from the Aaron Copland Fund for New music.

Eligibility:

  • Scores will be accepted from emerging composers who have not yet established widespread peer recognition.
  • A processing fee of $35 must accompany each submission.
  • The submitted score will be no longer than a 15-minute duration.
  • Instrumentation may include up to the following:
    3 flutes (1 doubling piccolo)
    3 oboe (1 doubling English Horn)
    3 clarinet (1 doubling bass clarinet)
    3 bassoon (1 doubling contrabassoon)
    4 horns, 3 trumpets, 3 trombones (3rd is bass trombone), 1 tuba
    1 timpanist, 3 percussion, harp, piano/celesta
    Strings
  • Concertos, vocal works, and works for only strings, woodwinds or brass are not eligible

Application Deadline: Scores must be postmarked by March 31, 2007 to be considered for the 2007-08 season. Scores received on or after April 1, 2007 will be considered for the following season.

How to Apply: Please send the following:

  • A bound and legible score of one orchestra work; labeled with your name, address, duration of the work
  • A recording of the submitted work, if available
  • Program notes, including the work's performance history
  • Composer biography
  • Self-addressed/stamped envelope for return of materials
  • A check or money order for $35 (or $30 for each score, if you are submitting multiple works) made out to the New England Philharmonic

Please send score(s) and fee(s) to:

Peter Child
Composer in Residence
New England Philharmonic
1906 Massachusetts Avenue
Cambridge, MA 02140

The winner(s) for 2007-08 will be announced in August, 2007.

Prix Ars Electronica 2007

The 21st Prix Ars Electronica 2007 - International Competition for Cyberarts has a few new features.

The new Hybrid Art category, a new prize for Media.Art.Research, and the integration of Net Vision into Digital Communities are the most visible signs of the intensive work that is being done on the definition of the competition's categories. As always, the aim is to continually keep the Prix Ars Electronica updated in line with leading-edge developments in the dynamic field of cyberarts.

Prix Ars Electronica 2007

Online Submission Deadline: March 9, 2007

Computeranimation / Film / VFX, Digital Musics, Interactive Art, Hybrid Art, Digital Communities, u19 - freestyle competition, [the next idea] grant, Media.Art.Research Award

All details about the categories and the online submission are available online only at: http://prixars.aec.at

Total prize money: 122.500 Euro

ATTENTION: PERFORMING COMPOSERS, IMPROVISING MUSICIANS, SOUND ARTISTS!

Unique Artist Colony Opportunity

Deadline: February 1st (postmark deadline)

Music Omi International Music Residency Program is now accepting applications for the summer 2007 session, August 2 through August 19 (NYC concert August 20). Performing composers, improvising musicians, and sound artists from ALL musical disciplines and backgrounds who wish to take part in a collaborative music-making residency are encouraged to apply. No application fee. Full room and board will be provided, but residents must provide their own travel. The beautiful Omi campus is located in upstate New York. Summer 2007 Guest Mentor: Adam Simmons of Australia. Visit http://www.artomi.org/music.htm for more information and application instructions.

Tuesday, January 02, 2007

3D""

The American Composers Forum is pleased to announce the - 

SIXTH ANNUAL
Essentially Choral
Call for Scores

Postmark Deadline: March 9, 2007

Co-sponsored by the Forum and VocalEssence, Essentially Choral seeks creative and innovative works in a wide range of styles and provides a unique opportunity for talented, emerging composers from across the United States.

Up to five composers will be selected to have their works-in-progress read by the VocalEssence Ensemble Singers, a 32-voice professional chorus directed by Philip Brunelle. One of the selected composers will receive a $3,500 commission to write a new work. Preference may be given to new and experimental works, those using world or gospel influences, and works by women composers.

The reading sessions will take place May 17-19, 2007, in Minneapolis, Minnesota.

AWARDS & BENEFITS

  • $500 honorarium to defray expenses
  • Travel and lodging provided by VocalEssence
  • One composer to be awarded $3,500 commission for premiere by VocalEssence in the 2007-2008 season, either incorporating music read at Essentially Choral or a completely new work, at Philip Brunelle's discretion (American Composers Forum and VocalEssence reserve the right not to make the commission award)
  • Mentoring sessions with Philip Brunelle and an established professional composer (composer-mentor)
  • Professional development seminar for emerging composers
  • First Day: Rehearsal with the VocalEssence Ensemble Singers; Second Day: Reading session with the Ensemble Singers, professional instrumentalists (if applicable to the work) and conductor Philip Brunelle

Please visit www.composersforum.org/essentiallychoral for information, guidelines, and necessary application materials.

If you have any questions, please contact Craig Carnahan, Vice President of Programs, at 651.251.2833 or ccarnahan@composersforum.org.

Essentially Choral is generously supported by a grant from the Jerome Foundation.